Like most people, I read lots of different kinds of books, but I am often drawn to novels with unusual themes, structure, or all those things. As a comedy writer, I have always loved surreal writing â the Goon Shows on the radio, or the plays of NF Simpson â and this applies to my taste in literature as well. The unreal, the slightly detuned, anything that suggests this world is not entirely what it seems, or if it is what it seems, then it is an idiot.
A comic novel from 1940, ostensibly a reworking of Romeo and Juliet set in the 19th century. Donât Mister Disraeli is in fact a wild rampage through Victorian fiction and history. The only book I know of thatâs influenced by both the Marx Brothers and JW Dunneâs An Experiment In Time, this is Alice In Wonderland as a history lesson and itâs brilliant.
I love Iain Banksâ work and this book seems to encapsulate the best of his early work: epic sci-fi, mental breakdown, and fantastic comedy. Switching between three storylines, one of which contains the best imagery in all SF and fantasy, Walking On Glass mixes reality with insanity and imagination with the every day to superb effect.
Her eyes were black, wide as though with some sustained surprise, the skin from their outer corners to her small ears taut. Her lips were pale, and nearly too full for her small mouth, like something bled but bruised. He had never seen anyone or anything quite so beautiful in his life.'
Graham Park is in love. But Sara Fitch is an enigma to him, a creature of almost perverse mystery. Steven Grout is paranoid - and with justice. He knows that They are out to get him. They are. Quiss, insecure in his fabulous if ramshackle castle, is forcedâŚ
This delightful fable about the Golden Age of Broadway unfolds the warm story of Artie, a young rehearsal pianist, Joe, a visionary director, and Carrie, his crackerjack Girl Friday, as they shepherd a production of a musical version of A Midsummer Night's Dream towards opening night.
Probably my favourite book, this is BS Johnsonâs most fun novel. Itâs about a man who decides the world is in debt to him, and sets out to redress the balance, often murderously. Johnson doesnât so much break the fourth wall as grind it up for pudding. Christie Malryâs Own Double-Entry is very dark, very funny, and a small masterpiece.
Christie Malry is a simple person. Born into a family without money, he realised early along in the game that the best way to come by money was to place himself next to it. So he took a job as a very junior bank clerk in a very stuffy bank. It was at the bank that Christie discovered the principles of double-entry book keeping, from which he evolved his Great Idea. For every offence Christy henceforth received at the hands of a society with which he was clearly out of step, a debit must be noted; after which, society wouldâŚ
Best known as a surrealist painter, Carrington is one of my favourite artists for her strange, half-dreamy figures and other-worldly paintings. Her written work is similarly disturbing: animals that tear their own faces off, monsters, and the dead populate these short but memorable stories. Surrealism can often be wearing in print, but Carrington is a writer who balances the bizarre with the unsettling perfectly.
âComplete Stories, a collection of Carringtonâs published and unpublished short storiesâmany newly translated from their original French and Spanishâis a terrific introduction to her bizarre, dreamlike worlds.â âCarmen Maria Machado, NPR
Surrealist writer and painter Leonora Carrington (1917â2011) was a master of the macabre, of gorgeous tableaus, biting satire, roguish comedy, and brilliant, effortless flights of the imagination. Nowhere are these qualities more ingeniously brought together than in the works of short fiction she wrote throughout her life.
Published to coincide with the centennial of her birth, The Complete Stories of Leonora Carrington collects for the first time all ofâŚ
On a foggy morning in New York City, a man and a woman run into each other, literally. The man, a writer, invites the woman, an artist, for coffee. They married just two months later. And four years later, their marriage is crumbling. On a foggy morning in New YorkâŚ
An incredible book, disturbing, harsh, and â of course â really, really funny, The Third Policeman is the great dark surreal novel. A simple story of a man who visits a police station, it soon roots itself in a Tristram Shandy-esque mire of absurdity and confusion with its own sense of seeping dread. All Flann OâBrien is superb, but this is the fiercest of all pancakes.
The Third Policeman is Flann O'Brien's brilliantly dark comic novel about the nature of time, death, and existence. Told by a narrator who has committed a botched robbery and brutal murder, the novel follows him and his adventures in a two-dimensional police station where, through the theories of the scientist/philosopher de Selby, he is introduced to "Atomic Theory" and its relation to bicycles, the existence of eternity (which turns out to be just down the road), and de Selby's view that the earth is not round but "sausage-shaped." With the help of his newly found soul named "Joe, " heâŚ
This is the novel of mine which is the nearest to surreal. Itâs about a man who remembers a book that nobody else has heard of and, when he finds heâs desperate for money, writes the book from memory, with horrific consequences. I love books about books, and this was a great deal of fun to write, with everything from Stephen King to Jim Steinman thrown in.
Fiercely opinionated and unapologetically peculiar, Marie Kuipers credits her New Jersey upbringing for her no-f*cks-given philosophy. As for why she spent most of her adult life underemployed, she points at her momâwho believes she knows better than God Himselfâfor that.
Weâre All Mad Here dares to peer behind the curtainâŚ
Truth told, folks still ask if Saul Crabtree sold his soul for the perfect voice. If he sold it to angels or devils. A Bristol newspaper once asked: âAre his love songs closer to heaven than dying?â Others wonder how he wrote a song so sad, everyone who heard itâŚ